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一直作為米路(🔨)斯(🆓)．科曼劇本鐵(📒)三角（另(lìng )(🔼)一(yī )位(wèi )是帕培(🕟)錫，也是本(🤢)片編劇之(🔧)一）(🎹)成員(🥈)的(🐉)艾(ài )雲．巴薩，當然也走(zǒu )低度戲劇路線。同是(shì )(🌗)音樂家(📼)的彼德與卡(🐿)洛老友重逢，生(shēng )(🛍)活狀(🕖)況(kuàng )大不(bú )同，你(🔲)有伴侶我有家庭，然(📞)而(🎿)都(🎫)有說(🗑)不出(chū )(🍮)的(✖)不明(😻)朗(lǎng )，唯有以酒與音樂代替口水。全(quán )片(piàn )推展不問目的，只在剎那間(jiān )的(de )(❔)意(yì )圖，行行企企比起科曼(🙂)更(gèng )義無(✋)反顧，卻有生活(🙄)淡如流水(shuǐ )的詩(shī )(⛓)意和繆思(sī )，叫觀眾聯想到(🚻)二十年後的(de )(💠)伊力．(🏯)盧馬。巴薩鍾愛音樂的程度(dù )不下於文(🈁)字(zì )和(💝)電影，古典音樂與民間音樂於全片迴轉迴盪(dàng )，難怪成了奇斯洛夫(💹)斯基十大心愛(ài )電(🙎)影(💿)之(🎥)一。 (📧) (😙)康城影展青(qīng )年評審團獎(jiǎng )，美(měi )國全(quán )國影評人協(xié )會特別獎 (🐖) 這部(🔫)1966年的珍品，是(🍁)捷克新浪(làng )潮短(🎦)暫生命中最(zuì )佳作品(pǐn )之一。成(🤼)名(❓)音樂家到小鎮(zhèn )探(tàn )訪舊(jiù )同學，舊(jiù )同(tóng )學是(🧥)個窮音樂(lè )教師(shī )，有時(shí )在(zài )喪禮上吹奏樂曲(qǔ )。平(⛅)凡的素材在巴素手(🍾)裡，變出風趣復罕見的旋律，一(yī )(🌒)部憂(🎆)鬱(yù )(⛎)的喜(🍝)劇(jù )，或灰色喜劇(jù )(🔮)。 (🔝) - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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